An intriguing and reasonably easy read, The Last Painting of Sara de Vos satisfies with two intertwined narratives.
One is the story of Sara de Vos, a fictional 17th century Dutch female painter and the tragic story of the loss or her daughter, and her subsequent abandonment by her husband. It’s a moving tale and also an interesting glimpse into how difficult it was to pursue your talents of a woman of this time – even one as exceptional as Sara is portrayed to be.
Interspersed with this is the story of a forgery. Ellie Shipley, a talented but unappreciated art historian and restorationist is flattered by the offer to ‘copy’ De Vos’ ‘At The Edge of a Wood’ for insurance purposes – and despite the unusual circumstances of the deal, accepts as a way to prove her skills. Eventually she comes to realise she is creating an elaborate copy for the black market – but by this point she is so engrossed with perfecting the project she cannot stop herself.
The owner of the original – Martin De Groot – uses a private investigator to find Ellie, but his plan to confront her with the truth is thwarted by his growing attraction for the solitary Shipley.
Many, many years later, the two are reunited again when two copies of ‘At The Edge of a Wood’ are sourced for an Australian exhibition.
Some beautiful storytelling and interesting questions raised about the value of art – and the value of a meticulous copy. Definitely worth a look.