Christian White’s clever premise won him the Victorian Premier’s Literary Award for his reasonably engaging mystery, The Nowhere Child.
Kim Leamy has what she thinks is a fairly ordinary life. Then she is approached by a complete stranger – an American – who believes she is Sammy Went, a girl who went missing from his home town at the age of two.
What follows is a believeable unravelling of story and character. Once the seed of doubt is planted, Kim begins to interrogate her past, as best she can since her mother passed away just a few years ago. But it is clear there are secrets in her past – secrets her step-father seems unwilling to share.
Kim follows the trail to America, and reader is treated to a dual narrative – Kim’s present story and the days following Sami’s disappearance.
The most rewarding part is the depiction of small town mentality and those that do – and don’t – fit in. And the power held by the local fundamentalist church – who practice snake handling as a test for purity.
The outcome isn’t entirely unexpected, but still reasonably satisfying.
Urged on by the light-hearted humour of The Rosie Project and it’s sequel, I picked up Graeme Simsion’s The Best of Adam Sharp as a bit of light holiday reading.
Light reading it achieves. Tick. It starts off as a fairly generalised story of a man in his 50s who is contacted by the love of his youth – an actress he met whilst holidaying in Australia. Her contact instigates an examination of his current life: his work situation, his nights playing trivia at the pub and his relationship which of late has been lacklustre.
Plenty of good novels explore these themes, although this one takes a bit of a strange turn as Sharp takes a holiday with his youthful paramour and her current husband and becomes part of a complex process of them testing their marriage. I found much of this a bit strange and overly complicated, as if Simsion was trying to be more edgy. But ultimately as satisfying a result could have been brought about without some of the awkward sexual antics.
Don’t expect much and you might enjoy this. It doesn’t have the originality of the characters in The Rosie Project and tries a bit hard. But some elements of Sharp will no doubt resonate for many, and the overall message is a pretty good one.
Like many, I was spellbound by the love of writing that was apparent in Hannah Kent’s Burial Rites – a detailed and meticulously researched portrayal of the last woman sentenced to death for murder in Iceland. Burial Rites was a novel destined to take the international stage – one that blended physical and emotional realities masterfully and explored a complex character and the reactions of those around her with sophistication and deftness.
The Good People, Kent’s follow-up, holds all the same magic.
Set in a remote village near the Flesk River in Killarney, The Good People explores the superstitions of simple folk – and the many ways in which they can lead to tragedy. Kent came across the real event in her research for Burial Rites– the story of an aged woman whose defence for murder was based upon her belief that the murdered boy was but a changeling and thus she should not be held accountable. While it is easy to believe this is madness or an excuse for cold-blooded murder, once again Kent creates real human warmth and invites readers to feel sympathy or at least acknowledge the complexity of such cases.
Beautiful prose, complex but real characters and thought-provoking ideas about being a woman in a backwards time make The Good People another likely best-seller. I challenge anyone who loved Burial Rites to not see this as yet another demonstration of Kent as one of the greatest writers of our time.
Yes, I know I’m gushing. But this is worth getting excited about. Comes out in October.
An intriguing and reasonably easy read, The Last Painting of Sara de Vos satisfies with two intertwined narratives.
One is the story of Sara de Vos, a fictional 17th century Dutch female painter and the tragic story of the loss or her daughter, and her subsequent abandonment by her husband. It’s a moving tale and also an interesting glimpse into how difficult it was to pursue your talents of a woman of this time – even one as exceptional as Sara is portrayed to be.
Interspersed with this is the story of a forgery. Ellie Shipley, a talented but unappreciated art historian and restorationist is flattered by the offer to ‘copy’ De Vos’ ‘At The Edge of a Wood’ for insurance purposes – and despite the unusual circumstances of the deal, accepts as a way to prove her skills. Eventually she comes to realise she is creating an elaborate copy for the black market – but by this point she is so engrossed with perfecting the project she cannot stop herself.
The owner of the original – Martin De Groot – uses a private investigator to find Ellie, but his plan to confront her with the truth is thwarted by his growing attraction for the solitary Shipley.
Many, many years later, the two are reunited again when two copies of ‘At The Edge of a Wood’ are sourced for an Australian exhibition.
Some beautiful storytelling and interesting questions raised about the value of art – and the value of a meticulous copy. Definitely worth a look.
There has been so much press about Charlotte Wood’s Stella Prize winning novel, The Natural Way of Things. And deservedly so – it is thought-provoking, lyrical in places and has well-rounded characters. It also has some serious concerns about how we treat women and sex scandals in the media.
Two women – Yolanda and Verla – awaken in a strange place. Far in the remotest part of Australia, they find themselves imprisoned by people they do not know. This is the start of a most unusual friendship.
Soon they realise that they are just two of a larger group of women being kept apart from the world – and the one thing they have in common is that they were all embroiled in some kind of sex scandal.
As time passes they are forgotten by the world, and their jailers find themselves just as isolated as the women. Verla seeks refuge in two things; a dream horse who she longs to ride off into the sunset on, and the hunt for mushrooms to murder the worst of the prison guards. Yolanda though embraces the isolation, turning into a wild creature. Her strength sustains the women – and although she retreats into herself, she provides them with meat to sustain themselves.
You think you will know how this book will end, but you don’t. And its nice to be surprised. This is definitely worth a look.
I would rate Will Kostakis’ The First Thirdas one of the best YA fictions of recent years – and his latest outing, Sidekicks, is worth a read too.
Sidekicks takes place after the tragic death of Isaac, a senior secondary student. After a drunken night with friends Isaac drowns – we assume by accident. This leaves many of the people around him guilty and confused – and examine their role in his life – and his death.
A third of the novel is narrated by each of his three closest friends – a disparate set of characters who have little in common except for their friendship with Isaac. Each represents a distinctly different type – a swimming superstar, a rebel and a nerd, but circumstances both related to Isaac’s death and beyond force them to re-evaluate themselves and their relationship to each other.
Sidekicks deals with some realistic and important themes for teenagers and will entertain them at the same time. Definitely worth a look.
Now that I’ve told our story in all its fist-eating, gut-wrenching, seat-edging, nail-biting, lip-pulling, chain-smoking, teeth-clenching detail, I wonder: Was it worth it?
Steve Toltz’s Man Booker Prize nominated A Fraction of the Whole is a family drama epic in scope. The Deans are far from your ordinary family – just as this is far from your ordinary novel. There are so many ideas and stories here – many of which would make excellent novels in and of themselves. Altogether, this is almost overwhelming. Brilliant, but overwhelming. Also uneven – some parts are better than others. But most of them will reel you in at some point.
Initially the novel examines the relationship between two brothers – Martin and Terry Dean. Terry eventually becomes an iconic Australian murderer (much in the style of Ned Kelly), and Martin is the brother who was always overshadowed by his charisma. Ironically, when he later has a son Jasper, he overshadows him with his brilliance.
The later parts of the text are all about Martin and Jasper – and the complex nature of father-son relationships, where two men are alike, but unwilling to admit it.
The scope and the writing are both impressive and the characters astonishing. If you can stomach 700 pages of anything, this is a good choice.