Ali Smith’s Autumn is a lyrical novel, but also a puzzling one.
Part of her Seasonal series (followed by the now released Winter), each of the novels is touted to deal with “time and how we experience it”. This explains the non-linear narrative utilised in this novel.
The central focus here is the relationship between Elisabeth, a young girl (and at other times in the text, a young woman) and her neighbour, an elderly man called Daniel Gluck. Gluck is an exceptional kind of man – one who encourages Elisabeth to see the world in new ways. It is the central relationship of Elisabeth’s life – one that shapes her career and her future relationships.
Threaded through it all is ponderings on feminism, literature, art and Brexit – and how it could be signifying a shift to a more xenophobic world. Things no doubt high on Smith’s list of priorities and concerns in the world around her today. It jumps around a lot – and we fins out more about Elisabeth than we do Daniel, who remains a somewhat mysterious figure.
I wouldn’t say I loved it, but it was intriguing and thought-provoking. Much like her beautiful writing, Autumn takes things that appear mundane, and lifts them to a whole other level.