In the afterword to The Last Tudor Philippa Gregory says she may not revisit what has been an incredibly successful series of novels about women during the War of the Roses and the Tudor Ascension. And while I have really enjoyed this series – its easy to see why. She is stretching a little here in this final installment.
There are actually three narrators in The Last Tudor – all of which have part of a story to share about Elizabeth’s coming to power. The first is Lady Jane Grey – who was crowned queen for all of nine days. She was then imprisoned in the tower by Queen Mary and later executed for treason. Lady Jane is an uninspiring narrator, and it is actually a pleasure to move on to the second narrator, her younger sister Katherine.
When Elizabeth comes to the throne it is still amongst talk of her unmarried status. And as time speeds by and she remains unmarried (clearly due to her love for Robert Dudley in this text) pressure mounts for her to name an heir. Unfortunately for Katherine, she is too likely a successor. Elizabeth, portrayed as tyrannical queen desperate to hold on to the throne at all costs, sees Katherine as a threat. When Katherine marries into another high-ranking York house for love and in secret, she makes herself a target. Elizabeth imprisons her, her husband and her children.
Although we follow Katherine’s tragic yet touching history for some years and long into her confinement, the youngest sister Mary takes her turn narrating. Mary is the most interesting of the three sisters – a pragmatist with a unique perspective. Pretty as a doll but likely what would have been referred to as a dwarf in those times, Mary is incredibly wary and astute about Elizabeth – who never let any of her ladies marry. Mary too weds in secret, but far below her. She too incurs Elizabeth’s wrath.
It is interesting to see each of the sisters through each other’s eyes, and their damning portrayal of Elizabeth, who is long considered to have ushered in a ‘golden age’ in British history. The last section is by far the best, but it’s clear this is wearing thin. A novel parallel to this, set from Elizabeth’s perspective, would be most welcome though.
Imagine if your ageing father wrote an erotic novel. And not even a good erotic novel… what would you do? Would you avoid family dinners? Pretend it doesn’t exist? Or – like Jamie Morton – would you get together regularly with your friends and read it aloud, laughing the whole way through?
Author Rocky Flintstone (definitely a pen-name) delves into the sexually-charged pots and pans industry, and his main character, Belinda Blumenthal, is a woman who isn’t afraid to use her sexuality to get ahead in this cut-throat world. Or actually, she’s quite happy to use her sexuality anywhere, any place, at any time and literally WITH ANYONE. Through scenarios sexy, saucy and sickening, Belinda is always on her game.
Rocky however, is a terrible writer and there is a lot of questioning to be done in regards to his knowledge of Biology – especially the female body. Fortunately, Jamie, James and Alice are all on hand with their commentary. And it’s brilliant. Witty and no-holds barred, they spare no thought for Rocky’s feelings.
My Dad Wrote a Porno is the podcast sensation I’ve been waiting for all my life. For weeks before I began, I kept hearing people raving about it. I’ve ripped through the first three seasons (and Season 3 actually ended on a riveting cliffhanger – who would have thought!). Looking forward to experiencing Season 4 as a weekly production!
The Holocaust must be one of the most written-about events in history – and so this makes it a risky bet for a novelist. You need powerful storytelling or a real angle.
Affinity Konar definitely comes at it from a different angle, telling the story of a set of twins who catch the eye of infamous Dr Josef Mengele at Auschwitz. Pearl and Stasha are those twins so intertwined that Stasha often answers to Pearl and resents anything that reinforces their separateness. This unfortunately makes them fascinating to Mengele, who longed to explore this kind of connection, purposefully protecting one twin whilst damaging and deforming the other to watch it impact the pair.
Konar definitely exposes the world of Mengele’s ghastly twin experiments and uses some astonishing language to describe the strange beauties of the environment even in the most horrid places in the world.
“Night. It had forgotten it should not be so beautiful in Auschwitz. There was no stopping it’s velvet sway..”
But beyond language and conception, there isn’t much original about the story Konar tells. Some takes place in Auschwitz, but there are also long and meandering sections afterwards. The title too is a strange misnomer… ‘Mischling’ is the German term for a person of mixed race. Is it meant to suggest that each twin is merely the product of the mixing of both? This seems limiting and redundant.
Although Pearl and Stasha make interesting characters and the nature of their “twin-ness” is heartwarming, I’d save my reading of the Holocaust for Eli Weisel’s Night or even Martin Amis’ Times Arrow instead. These have real power.
Veronica Roth’s Divergent series was so incredibly popular, that publishing a new storyline, especially one markedly different, must elicit some angst – for the author and readers alike. And while I haven’t read that many positive reviews of her latest offering Carve the Mark, I ended up really enjoying it.
Much less dystopian than Divergent,
is pure science fiction. It concerns itself with two peoples who live on the same planet – the Shotet and the Thuvhe – but cannot live in harmony. The Thuvhe live quietly and peacefully while the Shotet pillage and scavenge, and violent existence best represented by their tradition of carving a mark on their own arms each time they take a life.
Naturally, a young man and a young woman from each culture are thrown together and fall in love. But its a little more complicated than that. This is a galaxy with two particularly interesting features. Firstly, oracles make the fates of important people public – and this causes political manipulation to attempt to challenge or protect fate. The second, is the energy source known as the ‘current’ which flows around them all, and gifts each inhabitant with a particular ‘currentgift’. Cyra, our Juliet character, can make others feel pain, but the cost is that she lives in constant pain herself. Akos, kidnapped from Thuvhe by Cyra’s brother as he was fated to serve them, is gifted with the ability to block the currentgifts of others – and thus relieve Cyra’s constant pain. Eventually they come to mean something more to each other than forced companions and Cyra is forced to confront her brother – a violent dictator – and take a stand for the rights of others.
There’s more to the story than this, including the brother of Akos who becomes a willing oracle to the Shotet and an underground rebellion. Overall, I thought this was a well-realised fictional world with interesting moral quandaries and the beginning of a tasty story. Definitely worth a look.
This is the kind of book you know is going to have legions of female fans – and no doubt will be made into a movie as well. It’s very much in the style of The Girl on the Train – an entertaining mystery, cleverly told and deep in fiction’s mainstream.
In two different narratives separated by a handful of years, two women move into an architectural experiment, a home so minimalist that it actually trains the tenant to change and let go of unnecessary thoughts, feelings and possessions. Each woman is running away from a tragedy, and the house seems like a safe haven – and the architect an irresistible bonus.
But nothing is quite as it seems and the reader becomes increasingly alarmed as the house takes on a slightly sinister role for both, and both engage in highly controlled relationships with its designer. But then both women learn the woman who lived there before them died in mysterious circumstances….
This will keep you guessing and entertained right towards the end. A good choice for holidays any teacher friends.
Many authors stumble when it comes time to follow up a phenomenally successful first novel – but instead, Paula Hawkins has no doubt given her legions of fans more of what they are looking for in the intriguing, if lightweight, Into the Water.
Into the Water is set in the fictional town of Bickford in the gloomy north of England, famous only for it’s drowning pool and the dark history of troublesome women finding their end in it. Years ago, it was accused witches but more recently, a young mother and in just the past few weeks, a young local girl and the mother of her friend. It is the death of this final woman, Nel Abbott – a writer and photographer fascinated by the history of the drowning pool – that sparks this story. Although Nel’s death and the one that proceeded it, have all the earmarks of a suicide, the motives for such actions are a mystery to those closest to them.
The story eventually unravels through multiple narrators, and it has the same feminist bent of The Girl on the Train, where poor women are suffering for the choices of violent and disturbed men.
Behind all of this though, is the story of two sisters. Estranged for years, as one uncovers the reasons for her sister’s death a tremendous family misunderstanding is revealed, leading to a period of renewal amongst the grief.
There’s a lot to like here and Into the Water won’t fail to engage Hawkins’ legion of fans. The same dark sense of mystery and foreboding accompanies this tale. It might even pick her up a few more.
Laini Taylor’s recent trilogy, which began with Daughter of Smoke and Bone, was a terrific foray into fantasy fiction. So I grabbed this first in a new series with some interest. It’s always difficult to begin a new series, letting go of old characters who you might not feel quite finished with, and embracing a whole new world and storyline.. but Taylor has created yet another compelling fantasy world here.
Strange the Dreamer starts with two stories that soon become intertwined. Laszlo Strange (Strange being the name given to orphans or unclaimed children in his land) grows up in a terrible monastery before finding his first real home in a library. A lover of stories and fairytales, he makes a particular study of a land known only as ‘Weep’ – the real name being obscured by magic. So when citizens of Weep appear – he begs to go with them and make his dreams come true.
But Weep has many secrets… including a history of rebellion against evil Gods that threatens to arise as teenage Godspawn test out their powers high above the city. One has power over dreams…
This is a love story, an adventure and the start of something special. I loved the story, the characters and the symmetry of not one, but two Strange Dreamers in the novel. Clever plotting, intricate characters and overall a roaring tale. You’ll love it.