Lovesong
08 Dec 2010 Leave a Comment
“Love is never simple Dad, but you should know that.”
I was really surprised by what a wonderful read this was. Having never read any Miller before, I had no idea how beautiful his prose was, nor how insightful he would be about the complexities of human relationships. I just picked this up from a table in Borders, kind of randomly. I guess sometimes the best finds are like this.
We begin with Ken, an aging writer threatening retirement and a final voyage to Venice, directly referencing Thomas Mann’s Death in Venice. Ken befriends John Patterner, who tells him the story of his love for his wife Sabiha, a Tunisian beauty he met in a cafe in the poor quarter of Paris. This love story takes up much of the narrative, as we are spellbound by the ‘love-at-first-sight’ quality of the magic between John and Sabiha, and as we gradually watch it come apart as Sabiha’s longed-for child never arrives.
Broken but not shattered, they continue. And Miller tells us that while not perfect, love is enduring. Love – or is it routine? Companionship? Forgiveness certainly. Stretched to their limits, the characters are held together by the reality and the magnitude of their intimacy.
This won The Age Book of the Year for 2010. Deserves it. I’ll be thinking about it for a while yet.
The Absent Story of Mr. March…
20 Jul 2009 Leave a Comment
Another talking book experience, I found myself seeking out more stories by Geraldine Brooks, after being so besotted with People of the Book a few weeks ago.
March was much slower than People of the Book, but eventually I came to deeply appreciate it.
Brooks begins the novel by quoting Louisa May Alcott’s Little Women, a story of how five sisters are changed while their father is off at wa
r. Obviously a fan of this beloved classic, in this novel Brooks asks herself the question – what of the father? What were his experiences of the war? And how was he changed? Thus the idea for March was born.
The initial three-quarters of the book discuss March’s early life, and the formation of the views that led to his decision to volunteer to be a chaplain during the Civil War, despite his increasing age and financial difficulty. It even dallies with an attraction to strong black woman – formed in his youth and rekindled in an army hospital. This is all fine, interesting, educational – then his wife Marmee arrives and the narrative shifts to her perspective.
Wow! What a character! Marmee’s chapters show us how two people can love each other and yet still struggle to understand each other. Her view of some of these years is rather different.
The end of the novel tells the scene where March tells his daughters how they have changed in his absence. And yet no-one asks him. A resounding silence appears to be inside of him – makes you wonder what happened after the story of Little Women ended. But this is not Alcott’s concern…
Another fine novel by someone who is quickly becoming one of my favourite novelists. Look for more on this blog, I am hooked.
People of the Book
03 Jul 2009 1 Comment
A friend of mine has been raving about this for ages, and I never thought it sounded interesting. I mean, what do I care about the restoration of an old Hebrew book, right? WRONG. I picked this up as a Talking Book to listen to in the car on a whim, and found myself looking for excuses to get into the car and drive around, just so that I could hear more of the book. 
Hannah Heath is a rare books expert, called to Sarajevo. Normally, she would steer well-clear of this war torn city, but the lure of the famous Haggadah proves too tempting. Hannah inspects the book, and in pulling it apart, finds several traces that can fill her in on the book’s history; a white hair, a few flakes of salt, a wine stain. And this is where the real genius of the novel begins. Hannah’s story is interesting in itself, but it is interspersed with tales of the Haggadah – namely, how all those items got there. These tales are beautiful, historically researched and so much more than simply following the book. Each person responsible for one of the artefacts is truly envisaged and explored, even in such a short space.
This is the kind of book that you want to rave about to others – the book you want everyone to read and enjoy as well. I have not enjoyed a book so much in a long time.
Eucalyptus
19 Feb 2009 Leave a Comment
in Australian Literature, Talking Books

If you can get past the nauseatingly long descriptions of landscape at the start (why do so many Australian authors feel compelled to do this???), there is actually a lot to like about Murray Bail’s Eucalyptus.
Holland is a Eucalyptus enthusiast. He has planted hundreds of different species on his property. I guess he really only loves to things – his Eucalyptus and his beautiful, speckled daughter Ellen. Ellen’s beauty is legendary, and to stave off suitors, he promises to marry her only to the man that can name every Eucalypt on the property.
One day, one man arrives who can – Mr Crow. Initially, Ellen is indifferent to the man, but soon begins to resent the position her father has put her in. Meanwhile, a mysterious stranger also arrives, who goes among the Eucalypts touching each and telling Ellen a story suggested by the tree. These are love stories, stories about fathers and daughters; beautiful and haunting. Ellen falls in love with the stories, and her barely spoken desperation begins to take its toll on her body…
The tree stories are the most beautiful part of the novel if you ask me, and not much goes into the skeleton story. But these are good enough to carry the rest along.
I listened to an audio of this, which was really quite fitting, given that much of the novel is about oral storytelling. It’s definitely worth a try.
Kate Grenville’s Lieutenant
27 Nov 2008 Leave a Comment
Daniel Rooke has been an outsider all of his life. His intelligence separates him from others – his fascination for numbers, the way he views the world differently and so forth. His schooling leads him into the navy and a commission to go to Australia.
In this novel, it is the soldier’s perspective that is explored, and Rooke is a gentler character than Thornhill was, seeking only knowledge and in a strange way, arguably belonging.
Sydney provides him with ample opportunities to study and be alone, and he finds a connection with a young native girl – Tagaran, who teaches him her language. Rooke’s study and ruminations on the language is one of my favourite parts of the book.
Rooke is eventually put in an impossible decision, facing a moral dilemma he would rather have hidden from. I wont ruin the story though..
The Lieutenant lacks the hard edges and character complexity of The Secret River, but is nonetheless not bad. Worth reading if you have read the former.
Tim Winton’s Breath
20 Aug 2008 Leave a Comment
Breath was the first title chosen for the book club I have just joined, and is probably an apt choice for our first book given Winton’s status amongst Australian authors. I can confidently say he is not really my cup of tea. Although, I did find Cloudstreet kind of brilliant and do enjoy many of his short stories. The Riders was completely over-rated and so probably, is this.
Breath is about Bruce Pike, an paramedic who encounters a case that inspires him to reflect upon the reckless years he spent as a teenager with his fearless friend Loom, his surfing guru Sando and his difficult wife Eva. Each of them were testing themselves and going beyond the boundaries of what their fear told them was enough. For a while it makes ‘Pikelet’ feel alive, although the endless experimentation of the other characters eventually becomes too much for him. It is a feeling that stays with him for the rest of his life.
The book sets itself up to be circular in structure, but never really goes back to the initial point of the narration. This has to be a flaw – and a somewhat unsatisfying one. Again like much of Winton’s work, I find his character portrayals sketchy. As if his writing reflects that lack of self-analysis so often found in Aussie Blokes. It is a great quality for a short story writing, but dissatisfying in a novel.
It takes an odd little turn at the end – not completely unexpected but still strange. Let me know if it surprises you.
The Riders
27 Jan 2008 Leave a Comment
The Riders is much more mainstream – and probably the most commercial and well-known of his works. Fred Scully is fixing up an old place in the Irish countryside, awaiting the arrival of his wife Jennifer and daughter Billie who are selling their house in Fremantle. They have been travelling around Europe for years – Greece, London, Paris… Scully is looking forward to settling down, but when he goes to the airport to pick up his family… Billie emerges from the plane alone. She is clearly traumatised, and takes days to speak to Scully, who is frantically trying to figure out what happened to his wife.
What follows is an Odyssey throughout Europe, with Scully trying to re-visit the towns of his past – not only to look for physical signs of Jennifer, but also metaphorically to re-visit those places for clues as to what lead her to leave him.
It is frantically paced, and includes interesting characters. Scully, described as a man who looks like a serial killer, is surprisingly gentle. He has been the main caregiver to Billie for years and is a man who can do “womanly things” such as cooking, cleaning etc. Yet he drags poor Billie around, obsessed with finding his wife. Ironically it is Billie who understands Jennifer more, and who longs for Scully to give up his search and accept that nothing will be the same again. The roles are gradually reversed as Scully’s desperation leads him to drink, and Billie is left picking up the pieces.
The Chant of Jimmie Blacksmith
16 Oct 2007 Leave a Comment
Jimmie takes all these lessons to heart, and they are reinforced by the lifestyle he observes in the Aboriginal missions – lives of hazy drunkenness and loose women. He learnt early that this was not for him, so he adopts these “white” attitudes. He believes that with his own hard work will lead to his success.
But this is not a world that is ready to accept an Aboriginal with the same goals as white men. Jimmie is repeatedly cheated by his employers, and when he finally manages to take a white wife, the birth of their first child places Jimmie’s feet firmly on a path of vengeance. The child is snow white, and clearly not Jimmie’s.
Jimmie’s relatives come to visit him and remind him of his forgotten culture, causing his white employers to treat him even more like a stereotypical “black”. When they stop buying food for Jimmie’s family, and try to convince his wife to leave him, something inside of Jimmie snaps. He takes up his axe, and takes revenge.
There is a real irony in the setting of the story. White Australians in the background are talking constantly about Federation – the bringing together of all Australians under one banner – but what about the forgotten Australians? The narrative shows us clearly that this Australia was not at all united, nor ready to confront the race upon whose land they formulated their nation.
Jimmie is a sympathetic character, despite the barbarity of his actions. His rage is the rage of his own nation – for all that had been taken away from them, and all that they were refused access to. It’s an important read, and a nice change to read something of significance.

